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Core Record

Title Coast Scene
Alternative Title Harbour Scene; Capriccio
Collection Holburne Museum of Art, Bath
Artist Attributed to Guardi, Francesco (Italian painter, 1712-1793)
Date Earliest about 1750
Date Latest about 1790
Description An imaginary view based on the islands at the extremity of the lagoon where Venice joins the sea. The landscape is dominated by a ruined arch, behind which stand a jumble of towers with a distant view of the hills beyond. The stillness of the scene is enlivened by figures from everyday life: fishermen in a boat, a woman carrying her basket of washing along the quayside, a little dog, and, further away, a crowd unloading a boat. Cleaning has recently revealed a distant dome to the right of the arch.
Current Accession Number A318
Subject marine
Measurements 48.3 x 71.1 cm (estimate)
Material oil on canvas
Acquisition Details Given by the Holburne Society, 1933.
Principal Exhibitions Art Treasures from the West Country, Plymouth Art Gallery, 1954, cat. no. 13; Masterpieces from West Country Art Galleries, Victoria Art Gallery, Bath, 1989, cat. no. 23; The Beauties of Bath: The Holburne Museum Revealed, Christie's, London, 14 January - 3 February 1998.
Publications Bishop, Philippa and Roscoe, Barley: Holburne of Menstrie Museum and Crafts Study Centre Bath: A Guide to the Collections, pp. 8-9, ill. p. 9; Bishop, Philippa, Holburne Museum of Art: Souvenir Guidebook, Bath, 1999, pp. 32-33, ill. p. 33.
Notes

Comparable works: Algranti, Gilberto (ed.), Aspetti della Pittura in Lombardia e nel Veneto nel ‘700, Circolo della Stampa, Palazzo Serbelloni Milano, November - December 1968, cat. no. 11, Veduta fantastica di un molo; Mostra dei Guardi, exh. cat., Palazzo Grassi, Venice, 1965, cat. no. 121 (Metropolitan Museum, New York) and cat. no. 122 (Lord Illiffe); Burollet, Therese, Peintures et derivees, Musee Cognacq Jay, Paris, 1980, cat. no. 80.

Previous attributions: Courtauld list, 1971, cat. no. 96: 'attrib. Francesco Guardi'; Notes on the Italian paintings compiled by Brunella Mazzardo, volunteer researcher, and Michael Liversidge, University of Bristol, 2002: 'One of several variants of the same composition, in quality superior to other attributed versions.'

Rights Owner © The Holburne Museum of Art, Bath
Author Amina Wright
 

 

 

 

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