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| Title | Ahasuerus Extending the Sceptre to Esther | |
| Alternative Title | Figure Group 1 | |
| Collection | Middlesbrough Museums & Galleries | |
| Artist | Italian School Previously attributed to imitator of Bassano, Jacopo, il vecchio (Italian painter and draftsman, ca. 1510-1592) |
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| Date Earliest | about 1650 | |
| Date Latest | about 1710 | |
| Description | The predominantly red and brown tones of this work suggests that the artist was from, or a follower of, the Bolognese School. The subject is one which is not rare in the history of Western art, but is not particularly common either. Taken from the Book of Esther in the Old Testament (Esther 5:1-2), the scene shows one of the most dramatic moments in the life of the Jewish heroine. Despite being married to the mighty King Ahasuerus - noted for his quick temper and his tendency to deal out summary justice - Esther knew the penalty of approaching the king on his throne uninvited could be death. However, she had learnt of a plot by one of the king's ministers, Haaman, to organise genocide against all the Jews in the kingdom. Fear for her people drove her to visit the king and risk his wrath at her presumption. Fortunately, the king was pleased to see his beautiful young wife, and extended his sceptre towards her, the sign that she could approach without fear. Thanks to her bravery, and the clever way in which she exposed Haaman to the king, the plot was foiled. The painter has used classical motifs, particularly in the background, to try to give the painting of this ancient subject some authenticity. |
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| Current Accession Number | A0968 | |
| Former Accession Number | M57(O) | |
| Subject | religion (Esther) | |
| Measurements | 60.0 x 114 cm.0 cm (estimate) | |
| Material | oil on canvas | |
| Acquisition Details | Given by Miss Nora Elcoate from Darlington, in 1936. | |
| Notes | It is not clear whether the spectacles on the eunuch's nose in the painting were painted by the artist, or graffiti added by a later hand. | |
| Rights Owner | MIMA, Middlesbrough Institute of Modern Art | |
| Author | Dr Ruth Stewart | |