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Core Record

Title Study of a Nude Man
Original Translation Etude d'un Homme Nu
Collection New Art Gallery Walsall
Artist Géricault, Théodore (French painter and draftsman, 1791-1824)
Date Earliest about 1816
Date Latest about 1818
Description A nude man holding the reins of a horse (horse not shown) with both hands. This is probably a study for Géricault's famous painting, The Race of the Riderless Horses at Rome. His legs are apart and his muscles are tensed with effort. This work reflects a familiar theme from Géricault's work of the struggle between man and untamed nature.
Current Accession Number GR 125
Subject figure (male nude study)
Measurements 30.0 x 23 cm.0 cm (estimate)
Material oil on paper; canvas
Acquisition Details Given by Kathleen Epstein 1972.
Provenance Eugene Delacroix; Delacroix sale, Paris, 16 February 1864, lot 226 as Etude d'Homme Nu, bought for 250fr; Cheramy Collection, 1913; Duc de Trevise; Julius Weitzner; Oliver B. James sale, Parke-Bernet, 19 October 1955, lot 43; anon. sale, Parke-Bernet sale, 25 March, 1964; anon. sale, Sotheby's, 23 June 1965, lot 66.
Principal Exhibitions Cent Ans de Peinture Française, Paris, 1922; Géricault, Galerie Charpentier, Paris, 1924, cat. no. 106, Géricault, Galerie Bernheim-Jeune, Paris, 1937, cat. no. 37; Gros, Delacroix, Géricault, Knoedler Galleries, New York, 1938, cat. no. 33 (touring); San Francisco Museum of Art, 1939, cat. no.27.
Publications Vigurs, P., The Garman Ryan Collection. Illustrated Catalogue, Walsall, 1976, pp. 64, ill. ; McGregor, S., A Shared Vision: The Garman Ryan Collection at the New Art Gallery Walsall, London, 1999, p. 58, pl. 24.; Lem, F. H., Catalographical Essay Based on the Various Themes Used by Theodore Gericault.
Notes Study for one of the figures restraining horses in a version of the larger composition Course de Chevaux Libres (Le Départ).
Rights Owner The Garman Ryan Collection, The New Art Gallery Walsall
Author Dr Patricia Smyth
 

 

 

 

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