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After Teniers, David, II (Flemish painter, 1610-1690) , The Shoemaker

Core Record

Title The Shoemaker
Alternative Title The Cobbler
Collection Northampton Museum and Art Gallery
Artist After Teniers, David, II (Flemish painter, 1610-1690)
After Le Bas, Jacques Philippe (French printmaker, 1707-1783)
Attributed to Flemish School
Previously attributed to Teniers, David, II (Flemish painter, 1610-1690)
Date Earliest probably 1744
Date Latest possibly about 1800
Description

This small oil painting shows a shoemaker at work, surrounded by the tools of his trade. Above the shoemaker's head hangs a wicker cage, inside which is a canary, and a broken clay pipe lies on the floor.

This work is based on an engraving by J. P. Le Bas dated 1744, which is in turn based on a lost painting by David Teniers the younger, the prolific seventeenth-century Dutch painter of everyday-life scenes. The colour and technique are reminiscent of Teniers's works, but the painting seems to be of eighteenth-, rather than seventeenth-century, date.

Current Accession Number 1963.12
Former Accession Number P.12.1963
Inscription front (monogram)
Subject figure; interior; animal (bird, canary); trade and industry (shoemaker)
Measurements 29.0 x 24 cm.0 cm (estimate)
Material oil on panel
Acquisition Details Purchased from Appleby Brothers 1963.
Provenance Spedding collection; Appleby Brothers Ltd, London, by 1962.
Principal Exhibitions First Exhibition of Dutch and Flemish Oil Painting of the 17th and 18th Century, 1962, Appleby Brothers Ltd, London, cat. no. 2; The Shoemaker in Art, Northampton Museum and Art Gallery, 1961, cat. no. 41.
Publications Catalogue of Shoe and Shoemaker Pictures and Works of Art, Northampton, 1975, cat. no. 59, ill.; Wright, C., Old Master Paintings in Britain: An Index of Continental Old Master Paintings Executed before c. 1800 in Public Collections in the United Kingdom, London, 1976, p. 65, as The Cobbler.
Notes

For Le Bas's engraving, see Sjöberg, Y., Bibliothèque Nationale, Département des Estampes: Inventaire du fond français, graveurs du XVIIIe siècle, vol. 13, 1974, p. 219, cat. no. 379. It is illustrated in R. Forrer, Archäologisches zur Geschichte des Schuhes aller Zeiten, Schönenwerd, 1942, pl. 109.

A doubtful monogram was recorded on the front of the painting.

Rights Owner Northampton Museum and Art Gallery
Author Pablo Pérez d'Ors; Dr Angela Smith
 

 

 

 

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